The basis of its success, perhaps, is that Reed took a long look at the character of Oliver Twist. The problem with Oliver is that he isn't really very interesting, is he? He's a young, noble, naive lad whose main duty in Dickens' novel is to stand about while a marvelous collection of heroes and villains struggle over his destiny.
After being sold to a mortician, young orphan Oliver Twist runs away and meets a group of boys trained to be pickpockets by an elderly mentor. Putlocker123 Oliver! 1968 Putlockers HD Stream full movies Oliver! Musical adaptation of Charles Dickens' Oliver Twist, a classic tale of an orphan who runs away from the workhouse and joins up with a group of boys headed by the Artful Dodger and trained to be pickpockets by master thief Fagin. Musical version of Charles Dickens' 'Oliver Twist' adapted from the stage hit, 1968 Best Picture Oscar(r). The movie is one DVD and ONE SIDE. The STANDARD DVD splits it up to two sides, so this eliminates one of the most common complaints. Carol Reed directed Oliver! (1968) with a perfect eye for displaying Onna White's meticulous. In this award-winning adaptation of the Broadway musical based on the Charles Dickens novel, 9-year-old orphan Oliver Twist (Mark Lester) falls in with a group of street-urchin pickpockets led by the Artful Dodger (Jack Wild) and masterminded by the criminal Fagin (Ron Moody). In this award-winning adaptation of the Broadway musical based on the Charles Dickens novel, 9-year-old orphan Oliver Twist (Mark Lester) falls in with a group of street-urchin pickpockets led by the Artful Dodger (Jack Wild) and masterminded by the criminal Fagin (Ron Moody). When Oliver's intended mark, Mr. Brownlow (Joseph O'Conor), takes pity on the lad and offers him a home, Fagin's.
The weakness in the stage musical 'Oliver!,' and even in David Lean's film 'Oliver Twist' (1948), was that they made too much of Oliver and didn't quite know what to do with him. Reed does; he establishes Oliver as a bright attractive young boy: gives him some scenes so we get to care about him and admire his pluck; and then focuses his movie on the characters who are REALLY interesting: Fagin, Bill Sikes, the Artful Dodger and Nancy. The movie belongs so much to Fagin and the Dodger, in fact, that when we see them marching down the road in their last scene we think the movie should stop right there, instead of giving us a final look at Oliver. Still, Oliver is well acted by Mark Lester (who played the youngest boy in Jack Clayton's 'Our Mother's House').
Reed gives us the seedy Underworld of London (with shadows as long and cobblestones as rough as the Vienna of his 'The Third Man'). We get Bill Sikes and his mangy dog. We get the rowdy life of the alehouse under an embankment, and we get a Nancy who is, at last, as tough and harshly beautiful as Dickens must have imagined.
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And we get Fagin! Ron Moody, who is hardly over 30, has somehow stepped into this character twice his age and made it his own. When he advises Oliver, 'You've Got to Pick a Pocket or Two,' and when he sings 'I'm Reviewing the Situation' he creates a marvelous screen portrait.
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The other really memorable characterization is by Jack Wild, the quintessence of Artful Dodgerdom. But the film is strong in casting, and we get a villainous Bill Sikes from Oliver Reed and an unctuous Bumble from Harry Secombe; and Shari Wallis, as Nancy, makes us believe in her difficult, complicated character.
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The problem with the roadshow format, as I've observed before, is that the movie has to be longer and more expensive than usual: Those are the ground rules. Many a delightful movie has been ruined by being bloated up to roadshow 'standards,' and the challenge to a director in this genre is to spend his money wisely and pace his movie well.